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This Sunday marks the last episode of Showtime Channel's "SMILF" until (hopefully) the show gets picked up by another network. It would be a shame to see this masterpiece which depicts the lives and thoughts of real women in an honest and unique way cease to exist when it was only just getting started.
SMILF is the brainchild of writer, director and actress Frankie Shaw. She stars as Bridgette Bird who is a single mom with a young son named Larry, and they live together in South Boston. Bridgette loves to play basketball, has a raw sexuality and a vulgar mouth, but her love and devotion to her son is fierce. I discovered SMILF late in the game, after Season 1 ended, but I binge-watched all eight episodes on a day off from work and instantly got hooked. Subsequently, as Season 2 began, my favorite thing to do each week was grab my bottle of birthday Shiraz wine that my best friend got me, pour a glass, cut a sliver of cheddar cheese, and sit down at 10:30 pm, Sunday nights, to watch SMILF.
SMILF is different and daring. Similar to HBO's "Girls" but focusing mainly on Bridgette, her mom, brilliantly played by Rosie O'Donnell, and her son, Larry, rather than an ensemble female cast. The intelligence in the writing is still there and the lead character again is a true-to-life, flawed, human being who is aware that she has a lot to learn but wants to do it in her own way and on her own timetable based on the feelings she has from within rather than imitating what she thinks is expected of her from society. She is just another creative woman who feels differently than everybody else and is simply trying to muddle through life as best as she can.
Gloria Steinem said in her book "Outrageous Acts and Everyday Rebellions" that the way to test if you think someone is being sexist is to switch the male and female roles in their story and see if you think the same things would happen and the same feelings elicited if the roles were reversed. For example, if someone tells you a story about how their female boss at work was "on the rag" today because she was getting on everybody's case for not getting their work done fast enough and was being bitchy with everyone, would the storyteller have used the same language if their story had been about a male boss or would this just have been considered a typical day at the office and not even worthy of mentioning? Last Sunday's SMILF (Season 2, Episode 9: "Single Mom Is Losing Faith") demonstrated this type of test commendably. The entire episode has a cowboy setting, and initially, the viewer naturally assumes that the male cowboys are in charge of the town, but odd things are seen in the background. There are good-looking men walking around in the background of the town saloon, and they are wearing pants with holes cut out in the backs of their blue jeans revealing naked backsides. Shortly after this scene, as more dialogue occurs between the male and female characters, it becomes obvious that the reason these male inhabitants of this Western town are dressed this way is because the town is run by women. So instead of seeing females' butt cheeks predominantly featured in yoga pants or hanging out the backs of short-shorts, this is what this town features. Men wear make up and speak in gentle, self-effacing, remorseful tones. In this episode, Bridgette is having a bad day as she is riding her horse around town and lamenting over having to pay Cowboy Taxes so she says she needs to blow off some steam. The way she makes herself feel better is to go upstairs and gain the services of her male prostitute who proceeds to ride her from the top in exactly the same style as a woman rides a man.SMILF is not preachy in its feminist viewpoint. It shows instead of tells. The cowboy episode is a great example of this. Its script never spells out what it's trying to say. Rather, it's all symbolism, and you have to figure it out for yourself. These days, we need a show like SMILF to show a real portrayal of women who dictate their own sexuality rather than giving into the needs of older, powerful men as has been traditionally done in entertainment for decades. SMILF is honest and original. Just like so many of us women are. Maybe SMILF is still ahead of its time. Similar to how female bosses were several decades ago.
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