Monday, November 11, 2024

Gimme Some Of That DIY, Feel-Good Writing!


The first time I saw a zine was in the late 1980's at Tower Records Bookstore in New York City. It was made of simple, white printer paper by a fan of Kate Bush. It had black and white pictures of Kate that were photocopied and stapled into the magazine. Although not as popular as they once were, DIY zines are still around, and this summer, I stumbled upon a bunch of them at the East Village Zine Fair on St. Mark's Place in NYC. As I checked out the many tables, my eyes caught sight of a particular table run by Quimby's Bookstore in Brooklyn. It had DIY zines that were reminiscent of the zines I used to love to buy so many years ago. Among the teeny-tiny mini zines, I saw a bunch of regular-sized zines by an artist named Jolie Ruin who I recognized because she sells artwork on Etsy. I even had one of her art collages in my Etsy favorites which was a small, art canvas decorated with colorful beads and a quote from a Juliana Hatfield song. I didn't even know she was a zinester and that she published Riot Grrrl-inspired zines!

The simplicity of zines reminds me of my Berklee College of Music days when we all made homemade cassette tapes of our original songs and played them for each other. Sometimes, someone would comment that the recordings of the vocals and instruments should be more slickly produced. I often disagreed. I'd say I rather listen to a guy strumming a guitar and singing lyrics that moved me than a demo of overproduced songs that say nothing and provide nothing original. The passion of three-chord grunge songs of the early 1990's touched so many people, and even today, as soon as you hear the first chords of a Nirvana song, you immediately know it's them.  


The SlutCake zines include not only Jolie Ruin's writing and art but also from a variety of contributors.  My story about my childhood crush on Barry Williams (Greg Brady of the TV show "The Brady Bunch"), and how I met him years later as an adult, is featured in SlutCake #18 - the Love and Crushes Issue

I've grown tired of reading traditional literary journals because so often the stories have shock value themes and an unusual number of tragic endings. I remember one short story - a contest winner -  entitled, "Ice Cream for Breakfast." The title made it sound like it was a pleasant, let's throw caution to the wind, story but instead it was about the mom regretting she hadn't permitted her little boy to have ice cream for breakfast because she was too busy searching for a cure while he was dying of a disease. What this story did for me was made me never want to read a story like that ever again. I believe that we readers can be inspired by stories with everyday, relatable, topics and don't need to have our worlds annihilated in order to be moved by a piece of writing! 

The "Jolie Ruin" zine section at Quimby's Bookstore in Brooklyn, NYC

Discovering Jolie Ruin's zines and art collages have added new excitement to my writing life. When my first order of zines from Etsy came in, I spent one Saturday afternoon on my bed drinking tea and reading Jolie's "The Escapist Artist" zines from cover to cover. I was intrigued by her journal entries from the early 2000's printed in the zines. She told honest, entertaining, and personal stories from when she was in her early twenties, and they took me back to my own early twenties and to those moments when I too saw indie bands perform at rock clubs and had those same feelings of excitement while watching live music and drinking beer with people my own age. 

This "mini" zine by Jolie Ruin contains raw and honest stories straight from her journal entries of 2005


I bought this issue of The Escapist Artist from Jolie Ruin's Etsy Shop, and she mailed it to me along with a bonus sticker and mini business card




Jolie's Riot Grrrl Press company that she runs with her husband Jamie makes T-shirts with quotes and designs that are clever and funny. After ordering the "Make Zines Not War" T-shirt, I answered the call for models to appear in the upcoming Delia*s-inspired Riot Grrrl Press T-Shirt Catalog!



















Zinesters contribute more to pop culture than just printed stories. Jolie Ruin creates DIY art, patches, stickers, and even spoken word cassettes and music. I'd suggest giving zines a try even if you primarily read traditional literature. There's enough in the writing market for every taste and style, so like my t-shirt says: "Make Zines, Not War!" 


My very own Art Collage handmade by Jolie Ruin that I bought from her Ebay store. Some of Jolie Ruin's art collages are featured in the Netflix movie "Moxie!" 

https://www.ebay.com/usr/jolieruin

https://www.etsy.com/shop/JolieRuin



Monday, August 12, 2024

Was He Lucky Or Are We?

 

I was entertaining friends for lunch when late in the visit, we decided to turn on the TV. The footage of Trump being shot was shown over and over again. Once all the details came in, we said, 'this must be the luckiest person to have ever walked this earth.' Then, a week later, President Biden stepped down from the presidential race, and Kamala Harris was the new Democratic candidate-to-be. Suddenly, ALL these joyful people appeared! Within the first 24 hours of President Biden's announcement, $81 million dollars was raised for Harris' campaign - the largest amount of fundraising money ever raised in a 24 hour period. 40,000 new voters registered to vote within the first 48 hours of the emergence of Harris' campaign. Tons of T-shirts of Kamala Harris were printed, and excitement was spread all over social media. Just observing the excessively large numbers of attendees at the Harris-Walz rallies over the past week show how many people have come together. No matter what the outcome of the presidential race, there will remain many, many people bonded together through the Harris-Walz campaign.

Maybe the presidential race was not meant to be determined by one of the candidates being assassinated? Maybe the presidential race was to be determined by a collective need for joy, love, positivity, and democracy? A unity between human beings who were hiding in the shadows of doom and gloom until Kamala Harris became the presumptive Democratic nominee. Maybe WE are actually the luckiest people in the world because we are meant to stand together in large numbers AGAINST Project 2025 and, in time, to join together as one country as we always were in the past, not two separate countries. I believe all of these happenings were meant to materialize the notion that there truly IS strength in numbers!


Friday, April 12, 2024

"A Little Magic, A Little Kindness" - How I Found My People Through Laura Nyro


Laura Nyro 

Everyone is talking about how amazing Joni Mitchell is because she performed at this year's Grammys at the age of eighty. I agree, but whenever I think of Joni Mitchell, I'm reminded of Laura Nyro, and this makes me sad. In the late 1960's, both Laura and Joni were successful singer/songwriters, and they were major influences on each other. But by the 1970's, Joni's fame and presence in people's minds completely eclipsed Laura's. I appreciate Joni Mitchell's talents, but it is Laura Nyro's music that speaks to me. Joni is more popular, but there are a select few of us who prefer the more primal, soulful and passionate Laura Nyro. 

Laura Nyro was discovered by David Geffen while he was working as a talent agent, a few years before he became a record industry mogul. He quit the talent agency to devote all his time to managing Laura's career. But after releasing a few albums, it was clear that Laura shunned the public life that came with success.  She created music primarily to please herself. She and David Geffen parted ways and sold her song catalog for $4.5 million dollars, each receiving half. The sale allowed David Geffen to start his own record label, and Laura was now free to do anything she wanted. What she wanted to do was "nest," so she bought a house in Connecticut and spent most of her time there raising her new baby son. 



Laura Nyro and David Geffen (from Pinterest)

I first heard of Laura Nyro in an unusual, and somewhat embarrassing, way. I was seventeen and seeing a guy in my neighborhood who I suspected was also seeing another woman in our neighborhood. The first picture I ever saw of Laura Nyro reminded me of this woman. I was obsessed with looking at Laura's picture in my book. I was jealous, but also oddly curious, and eventually I figured, "Since I'm always looking at her picture, why don't I just listen to her music?!"  



My photocopy of the Harmony Illustrated Encyclopedia of Rock article where I first saw Laura Nyro's picture 

I was never fortunate enough to meet Laura Nyro, but I attended her very rare, live concert at the Berklee Performance Center in Boston, Massachusetts in 1989. Shortly after that, I got married, moved to Canada, and met my new aunt, Rose, who turned out to be a Laura Nyro fan. The first thing she said to me was, "Has anyone ever told you that you look exactly like Laura Nyro?" She said she was first introduced to Laura Nyro's music in elementary school. Her teacher, a priest, played Laura's "Eli and the Thirteeth Confession" album in class, pointing out some of the album's spiritual lyrics, such as: "I was walking on God's good side," and "Lucky's taking over and his clover shows. Devil can't get out of hand cause Lucky's taking over and what Lucky says goes." I hadn't considered "Eli" to be a spiritual album, as many of the songs are filled with anger and contain themes of feminism, poverty, and deep, passionate love. "Eli" is a fast-paced, energetic album, with musically complicated rhythms and powerful lyrics. Plus, this is the same album that has the song "The Confession" with the lyrics, "Oh I hate my winsome lover, tell him I've had others at my breast."  I'm doubtful Aunt Rose's teacher played that song in class!



Aunt Rose on the left, and me on the right - first meeting where she said I looked like Laura Nyro

As a newlywed living in Canada, I was nesting too. I listened to a lot of Laura Nyro's music, and since so many of her early songs were about living in New York City, I gained solace in the fact that even though I was homesick, I knew that Laura had also left New York City when she moved to Connecticut and had probably been a bit homesick too.  By this time, I mostly enjoyed the two albums she recorded in Connecticut, "Nesting" and "Smile." She sang about new things I was doing while nesting, like cooking. I often listened to her song, "Midnight Blue," and sang along to the lyrics: "There's smoke in the kitchen, shrimps curled." I watched a lot of Canadian TV, and one day I saw an acapella band called "The Nylons" performing Laura's song "Eli's Coming." Very soon afterward, while working at HMV Music Store in Toronto, Canada, I spotted one of The Nylons' singers, Micah Barnes, shopping for CDs.  I approached him and we chatted for a bit, mostly about Laura's "Nested" and "Smile" albums, agreeing how wonderful yet underrated they are. Meeting another Laura Nyro fan made me feel less alone and more at home in Canada. I imagined it was more special than meeting a Rolling Stones fan or a Joni Mitchell fan because a lot of people are fans of them, but when it comes to Laura Nyro, there are so few of us. I realized I was finding my people.



Laura Nyro (from Google)

In the mid-1990's, I moved back to New York City and worked in Manhattan as a legal secretary. My first boss, Murray, was an attorney who told me he used to have long hair and had attended the famous Woodstock festival in 1969. I was so impressed!  During the three years I worked for him, we had many conversations about music. When I told him how much I loved Laura Nyro, a memory was sparked in him. "I met her once!" he said. He told me that one night, he was hanging out with a friend who was friends with Laura Nyro before she was famous. The friend needed to briefly stop by her apartment in the Bronx, but when she greeted them at the door, she asked them to come inside. She wanted their feedback on a new song she wrote, so she sat at her piano and played it for them. He then asked me if he could borrow a couple of my Laura Nyro CDs. One afternoon, after typing my dictations of his letters by listening to his voice on the tapes he had recorded at home, I told him I heard Laura's music playing in the background. "No you didn't!" he answered shyly, but obviously I did!

Murray often said he and I weren't just boss and secretary, we were also friends. I let him read my "Iggy Gorgess" novel's manuscript over a decade before it was published in book form.  In fact, I changed the very last line of my novel because of his criticism, and I think it is better after taking his advice. Then, in 1998, I was devastated when Murray was diagnosed with a brain tumor. I never thought he would get cancer because he was already forty-six years old, and my experience of losing my dad at age fifteen convinced me that Murray was safe because he had already passed forty-one, the age my dad died of cancer. Murray was admitted to the hospital, and my firm sent me to the record store to buy a bunch of CDs he could listen to in his hospital room because I was the only one who knew exactly what music he liked. I visited him in the hospital and brought the huge pile of CDs I'd bought.  He passed away four years later. 

I stopped listening to Laura's music for several years after that. 

I was reunited with Laura's music through YouTube after I found out she was inducted into the Rock and Roll Hall of Fame in 2012. Bette Midler gave her a beautiful tribute, saying she was "the very essence of New York City: passionate, romantic, ethereal, eternal."  Her only child, Gil Bianchini, attended the ceremony and accepted her award. Through Laura's music, I learned to never hesitate to embrace the art I love even if it is different from what most people enjoy. Our passions draw us toward the people we are meant to meet, and I've found it's sweeter if that club has only a a handful of members. There are few things in life more beautiful than being bonded together by something rare and eternally special.