Showing posts with label escape. Show all posts
Showing posts with label escape. Show all posts

Friday, July 12, 2019

Bingeing Bourdain

Photo by John Reardon from article on theguardian.com

Last month, we celebrated "Bourdain Day" to honor Anthony Bourdain - the former chef, writer, and star of the TV shows "No Reservations" and "Parts Unknown." In these two series, he traveled to different parts of the world to have meals with the locals, or sometimes he brought a friend or fellow chef with him to eat in different restaurants. June 25th was chosen as Bourdain Day by his friends and fans because that was his birthday.  Tragically, June is also the month he took his own life last year, however, the motto for Bourdain Day is "Get out and live," and I think that's a better way to remember him.

Last summer, I binge-watched "Parts Unknown," so this summer I decided to binge-watch "No Reservations."  I watch his shows to escape. I'm not traveling this summer so I like to see all the faraway places he goes to. Many are around oceans and have vacation vibes to them. But he also visits poverty-stricken places and never hesitates to sit down for a meal at a family's home and eat the same things they do. I enjoy listening to his monologues during the shows. He explains each place's history and his own feelings about how the meals taste and how the people treat him and each other.

Bourdain was definitely a storyteller. He philosophized about life. I particularly enjoyed the Vietnam episode of "No Reservations" where he spoke about the desire to move there for a year to write his own novel. I think a big part of the allure of his shows for me is that I like people who write. I like and relate to people who can tell stories.

My only criticism about his shows is his obsession with eating meat. He constantly talked about wanting to eat meat, and we'd have to watch him eat meat, and sometimes we even had to sit through watching the locals trap pigs and other animals so they could slaughter them, all while Bourdain observed and told us about it. As a person who doesn't eat land animals at all, I hate these segments.  But actually, for meat-eaters, I think it's essential that they show the entire procedure that goes into eating meat so people can learn. Otherwise, they are just cooking and eating the packages of plastic-wrapped red squiggles that they pick up at the supermarket. Even though Bourdain ate so much meat, at least he saw first hand how the animals were killed rather than how the usual meat-eater just turns a blind eye and doesn't want to think about the fact that it is an animal they are eating as opposed to a cooked red squiggle.  I'm not a vegan (although I wish I were), and I still eat fish. My reasoning is that I can handle watching people catch fish and then cooking them so I'm being realistic about where my food comes from.

In addition to eating tons of meat on these shows, Bourdain also eats fruits, vegetables, noodles, and desserts. Oh, and if you happen to binge-watch his shows, notice how many times he mentions eating "sea urchins." He seems to eat sea urchins in about every other episode!

So this summer, I'm again living vicariously through Bourdain's travels and meals. It's devastating that even though he traveled the world and seemed to have a job he really loved, he still couldn't get over his depression. It got me thinking: Even though I love how much of a realist Bourdain was, maybe too much reality isn't good?  Considering how he left us, it seems it wasn't good for him.  Sometimes we need to turn that blind eye - like the meat-eaters do during dinner - in order to survive.  Escaping is good for us. Or more accurately, it's necessary.

IMDB.Com


With President Barack Obama (Vox.Com)




Tuesday, January 1, 2019

Zip Zip Zinging In The New Year




It's New Year's, and to me that means watching "The Twilight Zone" marathon or re-watching Henry Jaglom's movie, "New Year's Day." It also means watching the Ball drop on TV from Times Square in New York City at midnight, wishing it were still an apple like it was during the 1980's. I can remember New Year's Eve in the '80's more than I can in any other decade. I'd watch Dick Clark's New Year's Rockin' Eve, and when 1984 passed into 1985, I realized that from this point on, every year would now be a year my dad would never see. But that's a downer! Truth is, I see each New Year as a year full of promise. 2019 will be the year I'll finish the first draft of my latest novel. I've been having a hard time getting it off the ground because it's too close to me. It's my mind focused on serious things, such as living as a woman in the Trump era. My characters have a lot to say, but all I want to do is escape with a glass of Chardonnay and a plate of fried shrimp.


Hopefully, I'll push my fears away and get into a groove with what will be my fifth novel. The problem with buckling down with a novel is that it leaves little time to work on shorter stories and to give them the attention they deserve. I'd love to keep submitting and seeing my stories posted on the Web because that's such a thrill, but sometimes, writing a good short story can take as many months of rewriting and editing as a short novel can. I see 2019 mostly as the year I'll write another novel, but I'm also excited that later this year, one of my short stories will appear in an Anthology, so I'll have to let that sustain me until I can devote the kind of time that quality short stories deserve.

So here's to 2019! Here's to remembering friends who didn't make it out of 2018 but who remain in our memories along with all the music we'd listened to with them, the glasses of wine we drank together and all those lengthy discussions of life.  Let's read, talk, and give a toast to 2019! My books aren't going to write themselves, and as much as I want to escape, I also need to express the things that weigh heavily on my mind. I want to give something back like my favorite writer, Anais Nin, did when she reluctantly went deep inside herself to bring out what we often suppress. Reading helps all of us bring our own hidden thoughts to the surface so we can feel like we're never truly alone.



Sunday, June 1, 2014

"I'm Terrified."






Recently, the author/reader site Goodreads e-mailed me requesting I provide a question for author Michael Cunningham's upcoming interview in their next newsletter. I've read two of his books, "The Hours" and "Specimen Days," and they are among my favorites. "The Hours" was made into a movie with David Hare as screenwriter and Stephen O'Hare as director.

The question request from Goodreads got me thinking about "The Hours" movie which takes place in three different time periods involving three different, yet connected, women. The first plot involves real-life writer Virginia Woolfe and takes place in 1923 while she writes her novel "Mrs. Dalloway." The second plot takes place in 1951 and has Laura Brown reading the novel "Mrs. Dalloway." The third plot's lead character is Clarissa who is living a life similar to Clarissa in the "Mrs. Dalloway" book because she too is getting ready to host a party and she continuously finds herself focusing on mundane matters, like the details of her party, rather than facing her real-life problems. I've always felt that the Laura Brown character, played by Julianne Moore, got the least attention in the public's reception of the movie, yet her character is the one who moved me the most.

Laura Brown is a housewife whose son is always following her around. She finds this difficult to deal with because she is an introvert with a comprehensive interior life. She is an avid reader which makes her comparable to creative artists who usually have a constant running monologue in their minds where they build their own story plots or obsessively mull over an idea they're trying to figure out. Having a child or anyone interrupt this inner monologue can be unbearable at times. People like Laura Brown are often not interacting with the world around them which is hard for those who don't have this steady dialogue in their heads to understand. When they need to be, they are fully focused on the tasks at hand, but as soon as they are able to, they once again become completely disconnected to the world around them. They are focusing on their monologues, and it's painful for them to be pulled out when they're not yet ready to go. So between her son always watching her, and her husband always lavishing attention on her, she often feels the need to escape. Her husband seems to think she is perfect, and the problem with someone thinking everything you do is perfect is that it's unbelievable. No one is perfect.  This impossible perceived standard Laura lives under causes her to feel anxious and often like a failure.

An example of this is when she tries to bake a cake for her husband's birthday.  It comes out completely lopsided, and she is so devastated, she throws it into the garbage. Yet she knows that her husband would have loved it anyway no matter how awful it looked.  She and her son bake him another cake, but by now, she's had it.  She leaves the cake in the kitchen for him and takes her son to a neighbor's, claiming she has a hair appointment. Instead, Laura drives to a hotel planning to read more of Mrs. Dalloway and then to take pills and kill herself.  She feels she is smothering, and she needs to escape so she can just be alone, but she can't go through with it.

Later that night, Laura is in the bathroom talking through the door to her husband who is in the bed.  She mentions her friend's upcoming operation. He talks to her about it from the bed, but he has no idea she is breaking down and crying in there after he hears her say, "I'm terrified." That's the downside to having a rich interior life. You may be able to entertain yourself and be able to escape through reading books, but nobody ever has any idea of the catastrophic storm that goes on inside of you. Laura does wind up leaving her family and living on her own in Canada. I doubt Laura wanted to be this way, and she probably hated herself for it, but she couldn't fight nature.

I did come up with a couple of questions for Michael Cunningham's Goodreads interview, but neither of them had to do with Laura Brown.  If I did have a question about Laura Brown for him, it would be: "Do you think that if Laura Brown had written books instead of reading them, it would have enabled her to find that escape she so desperately yearned for?"