Showing posts with label Anais Nin. Show all posts
Showing posts with label Anais Nin. Show all posts
Tuesday, January 1, 2019
Zip Zip Zinging In The New Year
It's New Year's, and to me that means watching "The Twilight Zone" marathon or re-watching Henry Jaglom's movie, "New Year's Day." It also means watching the Ball drop on TV from Times Square in New York City at midnight, wishing it were still an apple like it was during the 1980's. I can remember New Year's Eve in the '80's more than I can in any other decade. I'd watch Dick Clark's New Year's Rockin' Eve, and when 1984 passed into 1985, I realized that from this point on, every year would now be a year my dad would never see. But that's a downer! Truth is, I see each New Year as a year full of promise. 2019 will be the year I'll finish the first draft of my latest novel. I've been having a hard time getting it off the ground because it's too close to me. It's my mind focused on serious things, such as living as a woman in the Trump era. My characters have a lot to say, but all I want to do is escape with a glass of Chardonnay and a plate of fried shrimp.
Hopefully, I'll push my fears away and get into a groove with what will be my fifth novel. The problem with buckling down with a novel is that it leaves little time to work on shorter stories and to give them the attention they deserve. I'd love to keep submitting and seeing my stories posted on the Web because that's such a thrill, but sometimes, writing a good short story can take as many months of rewriting and editing as a short novel can. I see 2019 mostly as the year I'll write another novel, but I'm also excited that later this year, one of my short stories will appear in an Anthology, so I'll have to let that sustain me until I can devote the kind of time that quality short stories deserve.
So here's to 2019! Here's to remembering friends who didn't make it out of 2018 but who remain in our memories along with all the music we'd listened to with them, the glasses of wine we drank together and all those lengthy discussions of life. Let's read, talk, and give a toast to 2019! My books aren't going to write themselves, and as much as I want to escape, I also need to express the things that weigh heavily on my mind. I want to give something back like my favorite writer, Anais Nin, did when she reluctantly went deep inside herself to bring out what we often suppress. Reading helps all of us bring our own hidden thoughts to the surface so we can feel like we're never truly alone.
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Thursday, March 8, 2018
My Top Four Female Artists Most Important To Me In The Trump Era
The above photo is a Joan Semmel self-portrait.
The one positive that came as a result of Trump becoming president is that women are finally able to speak out against sexism, sexual harassment and sexual abuse. When we now have a president who is on tape saying: "Grab them by the pussy," what more do we have to lose? What do we gain by staying silent when the leader of the United States has displayed a complete lack of respect for women? We've already hit rock bottom.I've compiled a list of four female artists who I feel have created works of art that reflect our newfound freedom to express ourselves in ways that go against the grain of what we've previously expected from women artists. Some of these brave works were created before the Trump era, but they should be revisited because they perfectly reflect this move towards a change in consciousness. These examples of their art below bend our way of thinking and push us toward new directions in our roles as women:
1. "Locker Room Talk" (song/video by Dolltits) - Musician/Songwriter Therina Bella and Musician Magie Serpica have refused to let Trump's "Grab them by the pussy" words be forgotten. Instead, they've recorded a song and video that will keep his words remembered forever, and they've laid it all out in the open by using Trump's own actual words as every single lyric in the song. We've all heard Trump's own words in the recording of the "Access Hollywood Locker Room Tapes": "You know I'm automatically attracted to beautiful...It's like a magnet. Just kiss. I don't even wait. And when you're a star, they let you do it. You can do anything...grab them by the pussy. You can do anything." All of these words sting, but my particular favorite part of Dolltits' video is when a little girl appears and sings along to the line: "You'll never be a 10." This stings even more than the "pussy words" because think of the message the president of the United States has given to young girls by rating females for their supposed "beauty" or lack of it? Think about it.
Dolltits (Still from "Locker Room Talk" video)
2. Joan Semmel - A female painter born in 1932, Semmel decided to paint female nudes in the 1970's, but the dilemma of painting the female nude body - which was usually seen as an object of desire for men - created a conflict with her identity as a feminist. Semmel resolved this problem rather perfectly when, while in her seventies, she took nude mirror selfies and then painted them. It is rare to see older women in nude paintings much less based on nude photos they have taken as selfies! Women continue to be sexually active throughout their eighties and beyond, so why shouldn't Semmel paint her own nude female body too? Semmel is an inspiration as an older woman who refuses to be pushed into the background and meant to feel that only younger women can openly display their bodies.
3. "Trapeze" (book by Anais Nin) - Nin was born in 1903 and is best known for the publication of her Diaries which are the unabashed, brave and honest account of a woman constantly torn between needing to identify herself as an artist and wanting to take care of the men and friends she loves. Nin struggled to not confine herself to the traditional role of woman, and her diaries depict this battle of gaining her own identity separate from the men in her life. By the time she wrote the diaries that were published last year as "Trapeze," she was living a complicated bi-coastal lifestyle in which she had a longtime husband, Hugo, who lived on the East Coast in New York City, but also had a new lover, Rupert, who lived on the West Coast in California. "Trapeze" shows her near impossible feat of bouncing back and forth from coast to coast while keeping each relationship secret from the other. In Nin legend, before "Trapeze" was released and we could get her uncensored version of the story, it was believed that Nin only remained with Hugo out of loyalty and really wanted to be with Rupert full time. Most romantic tales would have us believe that too: The long-suffering wife as the victim whose unfaithfulness we forgive because she really only seeks love just like every other woman and has no other reasons behind her bad behavior. But in "Trapeze," we learn that Nin enjoyed the wealthy, New York lifestyle she had with Hugo where she had a maid and could be a writer 24/7. She claimed the sex was better with Rupert, but he drove her crazy with his fastidiousness and insistence that they save money and eat dinner in, and that she do all the housecleaning herself. After a couple of months of this, she often couldn't wait to get back to Hugo and her New York lifestyle. In "Trapeze," Nin gets real and admits that she has chosen to stay with both men because of her own needs. She doesn't try to write a romantic story with a happy ending. Instead, she tells the truth of her story wherein she makes the best out of her imperfect relationships and imperfect life. She does this with a maturity we don't always see in both fiction and memoirs of women who are often depicted as near children and as victims of the people and circumstances around them.
4. "Peek Hour" (short story by Adrea Kore) - Kore's brilliant and sexy short story refuses to stay silent on an issue that women usually don't speak about: penises. At least, they don't usually speak about it in the manner that female protagonist Roxy in "Peek Hour" does. Roxy has what she describes as "feelings of affection and admiration of the penis." Her favorite thing to do is ride the crowded train where she weasels her way into the specific seat that gives her the best view of the "packages" of the men standing closest to her. She says the men don't even notice that she's eyeing their pants because they've traditionally been too busy focusing on HER parts so it never even occurs to them that she's obsessed with stealthily examining THEIR parts. She examines their bulges and notices their different sizes and shapes and whether they lean to the left or the right. She laments the fact that most penises are hidden away and wishes to liberate them all. She wants to build giant statues of them so they can be monuments that people can visit. While she fantasizes about these things, the bumps of the train often force men's crotches into her face. This excites her, and she says it happens so fast, the men usually don't notice, and it's her little secret. She does whatever she can to brush into men's crotches "by accident." I love this story and find Kore's depiction of Roxy's penis obsession fascinating because for once we can see a woman's point of view of the penis that doesn't seen to be influenced at all by the man's point of view of his penis.
This is a penis sticker by Luna Snaps that is on Redbubble.
I hope to spread the word about these amazing artists and their music, stories and paintings! Women have been categorized, marginalized and misunderstood for too many years. We have different things to express than what has previously been expected of us. These women are my favorite examples of a new feminine consciousness, and they remain such inspirations to me!
You can find my Top 4 at their websites listed below. Please check them out!
www.dolltits.com
www.joansemmel.com
anaisninblog.skybluepress.com
koredesires.wordpress.com
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Thursday, September 14, 2017
I Choose Writing (Over Wine, Opiates, Laudanum...)
When I'm upset, if there is a choice between having a glass of wine or writing my thoughts down on paper, I'll always forgo the wine and instead find a pen to write my feelings down on paper. I've released my emotions through writing for many years now. I call this habit "Therapeutic Writing." I just let all my words flow out in a stream of consciousness until my mind is finally less foggy.
As a teenager, this essential outpouring of feelings most often took the form of song lyrics, stories and poetry. But in my early twenties, I was given a gift of a blank journal with inspirational quotes on each page called a "Book of Days." At the same time, I'd been indulging in reading my first Diaries of Anais Nin. Inspired by Anais, I decided to write in my "Book of Days" daily, under each labeled day. By the end of the year, I filled the book up completely, even if some days only contained one sentence. I was amazed at how there was always SOMETHING I could come up with to write once I formed the habit of sitting down every day. I believe this is how I developed the "necessity" to write.
These days, therapeutic writing is no longer a conscious habit. Instead, it is now a sense of urgency where as soon as I feel emotional about something, I just HAVE to get it down onto paper. Even if it's on bits of scrap paper that I tear up afterwards, just the act of emptying my thoughts from my mind through my hand makes me feel so much better.
A coworker once told me that my emotions are all at the surface. I asked her if this was good or bad. She said it was good. She said it meant I was in touch with my emotions. I know that when I get upset, my thoughts are completely ruled by my emotions. Most of the time when I have a desperate need to write, I am either angry or very confused. Somehow, the act of writing my emotions down allows my brain to understand what I'm feeling. Even if I can't solve the problem, I do gain a sense of clarity, and I don't stop writing until the familiar feeling of relief comes over me. Suddenly, something that seemed insurmountable just minutes earlier has now become clear, and I'm finally calm. I am able to write down the facts of my situation and to identify the fears that are behind these emotions.
Speaking of coworkers, years ago, I noticed that two of my coworkers seemed constantly upset. They were very negative in general and always conflicted about decisions they had to make. So for Christmas, I gave both of them blank journals and told them about my very essential, daily writing habit. I suggested they write something in it every day, even if it's just a sentence, just so they can develop the habit. I explained that in no time, they will be able to use their journal as a mental medicine that will help them think clearly about what is positive in their lives and to identify their inner thoughts in order to enable them to make decisions. Sadly, I don't think either of them took me up on it. Maybe they needed an expert in the field to guide them and to confirm my beliefs about the benefits of therapeutic writing. I believe that the book I'm reading now, "Writing For Bliss," by Diana Raab, Ph.D. would have convinced them!
I met Dr. Raab through our devotion to Anais Nin because we both contributed writing pieces to Volume 13 of the Anais Nin Literary Journal "A Cafe In Space." Another thing we have in common is that both of us use the word "Bliss" in our titles! My first novel's title, "Bliss, Bliss, Bliss," is based on a quote that has the word "Bliss" in it several times and is from "The Early Diary of Anais Nin, Volume 4." Dr. Raab's new book is a great starting point to learn how to use writing to heal and to release the usual everyday tensions and stressors in a healthy way through writing rather than engaging in destructive outlets.
Dr. Raab describes the importance of journal writing in these quotes from "Writing For Bliss":
"A journal, diary, or notebook - whatever you choose to call it - can play many roles. It can serve as a vehicle for self-expression, a tool for clarity, a repository for observations, and a container for thoughts. A journal may also be a powerful tool for comfort during difficult times...Journal writing can be as calming and grounding as meditation is. It can orientate you and stabilize your emotions."
I highly recommend Dr. Raab's step by step guide, "Writing For Bliss," which is extremely thorough and includes numerous exercises to get you in the habit of therapeutic writing. It is a good way to get real with yourself and to confront painful memories from the past. It helps you to learn to write from your heart, which is where the truth is, rather than from your mind. It also helps get you started on writing your own poetry and memoirs, if you've ever considered doing that.
Basically, I don't know what I would do if I didn't have writing to release my tensions and emotions. It's truly amazing how something so simple and cheap can heal so much!
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Tuesday, November 1, 2016
It's Perfect To Be A Messy Novelist
"I want to be decadent. I want to eat hot dogs and write novels instead of perfect short stories."
I remember writing this in my early twenties. I was a brand new writer, and I desperately wanted to get published. I worked as a volunteer for a literary magazine where my job was to organize the writers and prepare them to read at launch parties the magazine threw when they released each new issue. I'd also offered to emcee the events because I knew the publisher's girlfriend hated doing it. I'd never seen anyone as thrilled as she when she got the news she was off the hook! But even though I was official Emcee and named in the masthead, I couldn't actually get my own stories in the magazine! Each time I submitted, all I got were encouraging words to try again. I was a creative writing student, following advice from my teachers, and couldn't understand what I was doing wrong! Finally, I showed my brother my short stories, and he suggested I try a more traditional literary magazine, as he felt this one was wildly experimental. I could have searched further, but instead, I decided to take a break from writing short stories and began work on my first novel. The thrill of seeing my own story in a magazine would have to wait.
When I sit down to write a short story, I often wind up writing something similar to a chapter of a novel. This is because I enjoy writing longer works where I can spend more quality time with my characters. I long to explore their needs, desires and growth. My characters' personal progress and evolution over time are what propel my books forward. However, when I write a short story, it is my "idea" that is first and foremost. This is difficult because I have to constantly come up with amazing ideas. Ray Bradbury did this better and more frequently than any other fiction writer. It is beyond me how he wrote so many short stories and came up with so many brilliant ideas. His mind was constantly filled with greatness! But when it came to his most famous novel, "Fahrenheit 451," I wasn't as impressed, and I feel he was better at the short story form.
In short stories, every single word must be carefully chosen to move the story forward. For me, that makes writing short stories feel more like business than fun! In my literary novels, I can go wild. l can play with words, and I get to hang out with my characters because the length permits me to do so. I can go off on tangents and know that even if these tangents remain in the final edit, readers won't mind because they are in it for the long haul. My former writing teacher said that short stories are expected to be read in one sitting, but novels are read chapter by chapter, night after night. This permits more wandering around since readers expect that they will be putting the book down, then picking it up again, over and over, as opposed to everything being wrapped up neatly at the end of their sitting.Maybe novels are truer to life than short stories are. Life is messy. Words aren't always perfectly chosen or perfectly executed. It's possible that novelists are more accepting of imperfection than short story writers. This could explain why certain writers prefer one format over the other. I've never expected life to be perfect, or rather, I've learned over the years that it is impossible to be perfect. My house, my writing, my cooking, and all aspects of my life, will never be perfect. I know others disagree with me. They're constantly gritting their teeth, comparing themselves to others who they assume are perfect. It's a disaster if they burn their cooking or have a less than pristine house when guests come over. I'd related to that kind of thinking when I was younger and when I was involved in the writing community, writing short stories that I expected to get published upon completion. But when I got frustrated with my pile of rejection letters that was getting closer and closer to 100, I sat down and expanded my favorite short stories into a novel. A few years later, I did the same thing and wrote another novel. Then years after that, with two independently-published novels under my belt, I began work on my current novel. I don't know why, but I am enjoying the process of writing this novel more than I have any of my others. People ask me, "So are you nearly done? When are you going to publish it?" But I'm not even thinking of that. "Not yet," I tell them. Because right now, I'm having way too much fun.
I've given up hot dogs since my twenties, but I still gel with the idea of being "decadent" and writing novels. I'm not saying I'm unambitious. Of course, I want to get my latest novel published. I'm also working on a couple of short stories (which started out as flash fiction stories but, of course, are now extending into longer pieces of fiction which may branch out into novels one day too), and I do want to submit them and try to get them published. But I feel the main reason to ever write fiction is to enjoy the process and not just what results at the end. Maybe that's the way life should be lived too.
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Tuesday, May 31, 2016
What If Anais Nin Was A Social Media Queen?

Social media has been good for Anais Nin! Twitter has facilitated a huge surge in her popularity due to her many quotes being tweeted on a nearly daily basis. But what if social media existed in the 1930's? What if Anais, her lover Henry Miller, and his wife, June, all had the internet and their complex interactions were not recorded in letters but instead in Facebook statuses and Tweets?
The first magazine ever devoted to Anais Nin was called "Under the Sign of Pisces," which she described as "A Cafe In Space" because writers and readers could connect through reading the magazine which was the next best thing to meeting in person as they did in the cafes of Paris. I feel like the internet in general is a cafe in space because it's a place where people can "meet" and talk to each other regularly. But where does it exist? Technically, only in space.
After reading nearly every Anais Nin diary that exists, I'm convinced Anais would LOVE the internet! It would be her thing! But I also believe it would have added to her turbulence during those Miller/June years, because they'd have loved it too, and she would have to keep up with THEIR social media activity in addition to her own!
Henry's wife, June, lived in New York while Henry lived in Paris. Anais found June to be a fascinating person, and whenever June returned to Paris to visit Henry, she'd often spend time alone with Anais. Of course, June didn't know her husband was having a love affair with Anais. Regardless, June was a naturally flirtatious person and soon Anais was under June's spell as well.
Henry's apartment was not far from Anais and her husband Hugo's house at Louveciennes. By the way, Anais' husband, Hugo, would either not have been on social media at all or his involvement would have been very limited because he would have been way too busy with his job at the bank. As Anais said in "Henry and June," the brilliant 1990 indie film which dramatized their relationships: "You are even beginning to SMELL like the bank!" This physical separation between Henry and June would have taken on a different meaning if they had use of the internet. Even more so, the relationship between Anais and June. They would be internet buddies, and I believe their regular internet chats would have kept them in constant contact and made them closer than they ever were in real life. The internet would have ensured that they never lost touch as they did once June and Henry split up.
For Henry, social media would be his playground: thousands upon thousands of scantily clad to naked young women for him to not only look at but also to interact with. As much as Anais tried to accept Henry's life outside her own - not just with June but also in relation to his penchant for frequenting street prostitutes - Henry's social media activity would drive her crazy because it would be right in her face, 24 hours a day, 7 days a week. There'd be no end to her speculation about how many of these women whose Tweets he favorited, whose Facebook statuses he liked, and whom she could see chatting with him publicly would also be involved in his private life behind her back too. I can just imagine the subtweets:
Anais Nin @anaisensorcelled
Tomorrow I shall plunge myself face-down into my make-up palette. Surely, this is the look you prefer since clown faces are the only ones you follow.
As you can see above, Anais' Twitter handle would be "Anaisensorcelled." We all know "ensorcelled" was one of her favorite words and one which she used frequently in her diaries. She also would like the fact that it means "to enchant" or "to bewitch." She'd be great at the selfie game (the pictures for this entry are what I surmise would be closest to the selfies Anais would take of herself and post. Just imagine one of her arms extended to take the selfie as opposed to hanging down at her side). Since Anais preferred mental connections with the men she was attracted to, she would keep her public account sexy, yet tasteful. She wouldn't post nudes, or near-naked pictures of herself in her bra and underwear. Anais was more of a "sexy-in-private" person. Although an extremely sexual person, she wouldn't have wanted to be DEFINED by her body. She would have identified herself as a writer first and foremost and would want to be treated that way. Having strange men post comments like: "Hey, chicky, I love your hot ass," would grate on her nerves.
While Anais would use social media to promote her writing, the internet would enable June to quit the dance hall forever and to start a lucrative business as a Cam Girl. June would not use her own name on Twitter as Anais did. She would drop her last name, "Miller," because she wouldn't want the men who were paying for her cam girl services to know too much about her. She'd simply be "June" with an xxoo after it for kisses and hugs to make her name look more cutesy and good for business.
Maria de Medeiros, Fred Ward and Uma Thurman in "Henry and June" film
But on Facebook, June would use her full real name because all of their Facebook accounts would be private, and they'd already personally know all their Facebook friends in real life. All these friends they connected with on Facebook wouldn't know of the affair between Anais and Henry nor would they have known that June was a Cam Girl. Anais would interact very little with Henry but would instead put her friendship with June front and center. Here is the Facebook status for Anais and June, posted the morning after they spent a night out on the town alone together on one of June's visits from New York to Louveciennes:
Feeling: Loved (imagine the happy face with smiling eyes and two hearts above the eyes and one under the face):
"Had a blissful time with June Miller last night! I learned so much from her even though she thinks I am the teacher! We talked until midnight! We talked all about her wonderful husband, Henry, who is SO lucky to have her! Dinner was amazing -- the Anjou was flowing, and I couldn't have asked for a more perfect evening if I tried! Thank you, June! And thank you, Henry, for allowing me to "borrow" her!"
So, as I said, Anais would LOVE social media and would embrace it the same way she did all the voluminous letters she wrote to those she loved over the years. But I think it may just have changed the course of history. As I said earlier, I believe she and June would have never lost contact, especially through Facebook. She would never lose touch with Henry either. Because just by logging in, he would always be there.


The tradition of Anais Nin's Literary Journal "A Cafe In Space" is still alive! My essay: "Anais Nin - A Recipe for Immortality" is featured in its newest volume of the magazine, Volume 13, available in both Paperback and Kindle at Amazon.Com:
http://www.amazon.com/Cafe-Space-Anais-Literary-Journal/dp/0988917076/

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Tuesday, July 17, 2012
Don't Treat Summer Like Another Item On Your To-Do List
I find it curious that several of my friends are walking around saying, "Isn't it a shame that summer is almost over?" They've been making these comments since the first week of July. For me, summer always begins on July 1 and finishes on September 1, so how can summer be almost over during the first couple of weeks of July?
Lately, I've been finding that time seems to go by faster than it used to. Sometimes, I'll be on Facebook, and it will seem like I've looked at so many statuses and scrolled through so many profiles (and wasted so much time), but then I'll go back to the Homepage and see something I commented on, and I'll be happy to know it had been only six minutes earlier! I think it's because we are all so busy these days. We need to cram so many things into one day that now suddenly a week feels like a month. I think it's all the multitasking. More time seems to pass by than actually has because not only do we still need to do our chores and all the things we used to do, but now we have added the extra tasks of checking our e-mails, our Facebook Page, and, of course, the most necessary responsibility of all: keeping up with our cell phones, I-Pods, and our various gadgets. We've added all this technology and all these gizmos that we supposedly NEED, yet meanwhile, we'd lived perfectly fine before any of them had even been invented.
When feeling overstressed, it wouldn't hurt to get out of ourselves and get immersed in the way life was lived before we had a To-Do List that measured from the ceiling to the floor. For example, in Anais Nin's Diaries, Anais discusses a typical summer night in her life similar to this: "I went for a walk with Henry. Then we read some of our writing to each other while we sat on the chaise lounge. After that, I cooked dinner, and we opened a bottle of wine and talked." They didn't have TV then. Her journals give lengthy descriptions of each day, and when she writes down July 12, she knows it's July 12, which is the BEGINNING of summer. She had no problem keeping track of the days. Unlike those who think it is August 31 when it is only July 17!
So next time you find yourself lamenting that the summer is almost over, instead of checking off yet another thing on your To-Do List, I advise dropping everything and spending one whole day at the beach. Feel the sand on your feet and the sun on your shoulders. Maybe you'll find that the day felt just like a day, and then a week can once again feel like a week, a month like a month, and a summer like a summer.
Friday, February 17, 2012
For One Brief Moment, We Can All Live Forever
Luise Rainer is the oldest living Oscar winner. I learned that in the recent Oscar issue of Entertainment Weekly. She's now 102 years old. The last time I read her name was back in the early 1990's in the diaries of Anais Nin. I used to skim through them at the World's Biggest Bookstore during my lunch breaks. I didn't know anything about Anais Nin, but I liked how the covers of each volume of her diaries had the same picture of her face but shaded in a different color. Eventually, I read her diaries and got hooked. She made me fascinated about what life was like for an artistic, creative female writer living in Paris in the 1920's. Whenever I read books of people who lived many years ago or see a movie made in the early 20th century, I can't help but think that their heyday has passed and most of them aren't even alive anymore. In the early 1990's, a few of the people mentioned in the Nin diaries were still alive. I particularly remember that Anais's youngest brother, Joaquin, was still alive and over 90 years old. It was weird to think that there was still someone around who had lived all those experiences that Anais wrote about who could possibly still remember all those things. But years later, the next time I googled Joaquin, I found out that even he had indeed passed. It seemed the allure of the 1920's was over.
Which is what I thought when I first watched the 1929 movie "The Broadway Melody," the very first musical made in an era of only silent movies. It was about two singing sisters and their struggles to make it from vaudeville to Broadway. It was SO dated. I couldn't believe the silly hand gestures the performers made as they rehearsed their numbers, and as I watched, I couldn't help but think how all of them had passed away by now.
The next day, I googled the names of the women who played the two sisters to see when they died. First I googled Bessie Love. She indeed had died in 1986 at the ripe old age of 87. Then I googled Anita Page. I thought it was a mistake when I saw that Anita Page had no year of death next to her name. When I read her entry, it said she was now 97 years old and living in California! The next night, I watched the movie again, and as I watched Anita Page on the screen, I imagined her getting ready for bed in California, how the weather must be beautiful this time of year, and how she was not only living on the screen, but she was living in real life as well.
I decided to find out if she had a MySpace page. Before Facebook hit it big, MySpace was the place to be. MySpace was great because you could actually connect with celebrities. I remember being MySpace friends with Danielle Brisebois of "Annie" and "All In The Family" fame. And you could tell that she took care of her own page, so when she accepted my friend request, she actually saw my name and picture and clicked "Accept." Many other celebrity profiles were run by fans and not the actual celebrities. But if you were early-MySpace savvy, you could tell which was which.
So I found Anita Page's MySpace page which only had about 20 friends total! I friended her and wrote a very brief message saying that I had just seen "A Broadway Melody" of 1929 and really enjoyed it. I never expected a message back and was so surprised the next day when I received this really brief message saying, "Thank you (written as one word "thankyou") for your message. I'm so glad you enjoyed 'A Broadway Melody.' I didn't like it back in its day and always thought it was Bessie Love's picture. I do like it now though." Was it from her? A 97 year old woman? I never found out for sure. But when she passed away about a year later at the age of 98, this man wrote a message thanking her fans, and again, "Thankyou" was written as one word. The same way it was written on the message to me. Obviously my message was written by this same man. No one writes "Thankyou" as one word. Was she mentally acute enough that when he told her about my message, she told him what to write back? Or did he just know she'd respond that way and wrote AS her? I'd like to think it was the former rather than the latter.
I feel that as long as there are people who are still alive from a certain era of time, their era never really leaves us, and some of its magic still surrounds us. I watch the 1970's TV show, "Maude," at 10:00 p.m. every night. My parents used to watch reruns of it at that very same time slot when I was in grade school. Conrad Bain and Bill Macy, the two male stars of the show, are still alive. I feel like as long as they are alive, then that period of time from my childhood when I was tucked into my warm bed, feeling protected, will never go away either. Luise Rainer is still alive, and Anita Page was waking up on California mornings the days after I watched her in all her youth in a 1929 movie. We can pretend for one brief moment that no one really dies. If we try hard enough, we can convince ourselves it's so.
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